![]() ProTune Flat (a Gamma curve) with Native (Color Space) is virtually the same across the GoPro range. Having said that he did say he would created one in the next few weeks. Lrose69 wrote:Thanks for that! After posting earlier today I found his site and actually messaged as he doesn't yet have a LUT for the Hero 9 which I'm mostly using. We'll have to swap mtb rides and trails stories some time Oh, and you're just down the road from me (Newbury). I have been hand grading and doing fine with that (quite enjoy it actually), but if I want to use some LUT looks I see online they have to start from a known point and that often appears to be Rec. Thanks for that! After posting earlier today I found his site and actually messaged as he doesn't yet have a LUT for the Hero 9 which I'm mostly using. ![]() So sometimes it's a great LUT for a GoPro, other times not so much, and I often choose to hand-grade the output instead, especially for darker footage. I find the Leeming LUTS generally need plenty of light in the shot - he recommends ETTR, but that's not really an option on a GoPro. Colour must be FLAT and white balance NATIVE otherwise things get weird pretty quickly. Have a look at the setup guide for the appropriate LUT for your GoPro model. However Leeming LUTS are definitely picky about the camera settings and exposure. I often use them myself to get GoPro 8 Protune flat to Rec 709 for YouTube. The Leeming Pro range have a couple of GoPro LUTS which are easily added to Resolve. Then copy that grade to to the other shots as a base point to work from.īobosola wrote:Fellow mountain-biking GoPro user here. Just treat it like a LOG grade (plenty of Resolve tutorials out there for basic LOG grading) and you can get it looking decent in no time. GoPro flat can usually be hand-graded fairly easily though. ![]() How to install the new LUT in DaVinci Resolveīecome a premium members to download the new LUT from this page, and get access to the Alexa shots used in this post. Please login or subscribe to gain access.Fellow mountain-biking GoPro user here. Unfortunately, BlackMagic Design have not updated their LUT folder inside of Resolve so the LUT needs to be downloaded and placed in the folder manually or extracted from the metadata of a recent recorded clip. The new LUT is the default Rec709 choice in all the ARRI cameras available (AMIRA, SXT, Mini, LF and MiniLF) and colorists should have access to it to be able to recreate the exact same image that was displayed on set. It can be downloaded here on Lowepost (members) or be generated in ARRIs LUT generator. The old ARRI K1S1 LUT is now renamed to ALEXA Classic 709 and the new one is called ARRI 709 inside all ARRI cameras on the market.
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